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      • Concealed Shoes - an article by June Swann
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    • Circles and daisy-wheels
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      • Goatchurch Cavern marks
    • Mesh marks
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  • Home
    • Brian Hoggard
    • Contact
    • Media work
    • Lectures
    • Some further reading
    • Dorset Survey
    • Ralph Merrifield
    • Links
  • SHOP
  • Hidden Charms Conference
    • 2025 Hidden Charms 5
    • 2023 Hidden Charms 4
    • 2021 Hidden Charms 3
    • 2018 Hidden Charms 2
    • 2016 Hidden Charms 1
  • Concealed Objects
    • Witch Bottles
    • Shoes >
      • Concealed Shoes - an article by June Swann
    • Dried Cats
    • Horse Skulls
    • Written Charms
  • Protection Marks
    • Circles and daisy-wheels
    • Deliberate burn marks
    • Marian Marks >
      • Goatchurch Cavern marks
    • Mesh marks
    • Hand and shoe outlines

Deliberate burn marks

PictureFrom a cafe in Mealcheapen Street, Worcester.
Deliberate burn marks are also often found.  These are made by holding a flame against a timber and repeatedly scraping away the carbon layer which forms to make a deep flame shaped mark.  They are particularly common on chimney lintels but can be found literally anywhere on timbers.  Some people researching in this field call them 'taper burns' but I would caution against using that term as any small naked flame, such as a candle, could be used to make these marks - deliberate burn marks is fine. 

My interpretation: it seems that by repeatedly burning away the surface of the wood (killing it) you are creating a negative image of the candle flame on the 'other side'. If I am correct this would have the effect of putting a source of light into a space which would otherwise be dark, thereby protecting it from darkness - the same principle as circles and daisy-wheels.


Picture
John Moore Museum, Church Street, Tewkesbury.
Picture
Chiney lintel, Little Hall, Lavenham.

Brian Hoggard, Magical House Protection - The Archaeology of Counter-Witchcraft, Berghahn, 2019. 
Brian Hoggard and Alicia Jessup, ‘Llancaiach Fawr Manor: Fortified Against Evil’, The Society for the Protection of Ancient Buildings Magazine, Autumn 2017 , pp51-5.
Timothy Easton, ‘Scribed and Painted Symbols’, in Paul Oliver (ed), Vernacular Architecture of the World, 1997/8 (four vols), CUP.
Timothy Easton, ‘Ritual Marks on Historic Timber’, Weald and Downland Open Air Museum Magazine, Spring 1999, pp22-30.
Brian Hoggard, 'The archaeology of counter-witchcraft and popular magic', in Owen Davies & Willem de Blecourt, Beyond the Witch-Trials, 2004, Manchester University Press, pp167-186.

Dean, J & Hill, N. 2014, 'Burn Marks on Buildings: Accidental or Deliberate', in Vernacular Architecture, vol 45, 1-15.
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